OK, I get it now.
For years, I had heard many older roadies wax enthusiastic about the “Route 66″ series that aired on CBS-TV from 1960 to 1964. I’d missed the reruns of Buz and Tod’s cross-country adventures in a Corvette convertible. Save for haphazardly made bootlegs, the TV show hadn’t made its way to DVD.
But now that I’ve watched the first 15 episodes of “Route 66″ on DVD, courtesy of Roxbury Entertainment and Infinity
Entertainment, it’s easy to see what all the fuss was about. The four-disc set of “Route 66, Season One, Volume One” proved to be entertaining and provided a snapshot of post-1950s America. “Route 66, Season One, Volume One,” which hits the streets today, encompasses episodes that aired from October 1960 to January 1961.
Many of you know the premise — Tod Stiles (played by Martin Milner) is left with a Corvette but little else after his father dies. Tod and the street-tough Buz Murdock (by George Maharis) hit the road to look for adventure and themselves.
Milner’s sideways grin and easy-going nature proved quietly effective on “Route 66.” But even 47 years later, it’s easy to see why Maharis was considered to be the true star of the show. His smoldering intensity made him compelling, and the camera loved him. It’s no surprise that his departure in 1962 because of hepatitis crippled the show.
The scenery became a third star of “Route 66.” It was the only television show of its time to shoot on location, and it gave an air of authenticity to where Buz and Tod landed. In those first 15 episodes, you see the two working on an offshore oil rig, hanging out on the beaches of Malibu, chasing bad guys on a boat in New Orleans, cruising through Zion National Park in Utah, driving logging trucks through Oregon timberlands, piloting a shrimp boat in the Gulf of Mexico, punching cattle in Texas, and harvesting dates in the California high desert.
The episodes also serve as a sort of a time capsule of America — where neon signs in front of businesses were more common, where guys wore suits on a night out, and where standard vehicles now look so cool.
The 15 episodes in the DVD set include guests who would become bigger stars — Jack Warden, E.G. Marshall, Suzanne Pleshette, Leslie Nielsen, Jack Lord, Joey Heatherton and Lee Marvin. Noted director Arthur Hiller also guided two of the episodes in this set.
One of the keys to “Route 66’s” excellence was Stirling Silliphant, who wrote scripts for 13 of the 15 episodes here. He produced snappy dialogue, and his storylines often unfolded gradually. The first episode, “Black November,” is a good example of Silliphant’s skills. Its tale about a small Southern town holding a terrible secret had me sitting upright, wondering what would happen.
Roxbury Entertainment reportedly used duplicates of “Route 66’s” original film stock during the remastering process. The result is a sharp picture — certainly miles sharper than what you would have seen when the show first aired. And you’ll hear Nelson Riddle’s memorable “Route 66″ musical theme and its variations with more clarity.
Of course, the DVD also exposes limitations of the original medium. Film degradation is seen in a few spots, and a low hum lurks on the soundtrack on portions of two episodes. Still, “Route 66″ aficionadoes will be thrilled with how good these programs look.
On the fourth disc is 10 minutes of original commercials that aired during “Route 66.” That included Bayer (”Instant Flaking Action”) Aspirin, Phillips’ Milk of Magnesia tablets, and spots about the new Corvair, Biscayne and Impala by Chevrolet, which touted itself “The Greatest Show on Worth.” Those ads are a hoot, and provide another snapshot in time.
That disc also contains an overview of still photos and text about the Corvette from model years 1953 to 1962. Two interesting factoids: Chevy nearly discontinued the Corvette in 1955, and it once offered a six-cylinder model.
About halfway through the set, you got the sense that the “Route 66″ was starting to hit its stride, which makes future DVD releases a promising prospect.
Also, “Route 66″ slyly conveyed the growing restlessness in young people at the time. World War II veterans, grateful to be home and alive, hunkered down to raise families and didn’t make waves. “Route 66″ touched on themes such as bigotry and domestic violence, and the next generation was ready to address those issues that had been long ignored.
The Fifties were over. And “Route 66″ knew it.
Recommended.